In this lesson, "Mulberry Hill in Autumn", Ginger shows you how to start from a smaller sketch painting, 9x12, and enlarge it to this beautiful 18x24 masterpiece. Some new color of paints were also used in this lesson.
Make sure that you watch the lesson on adjusting contrast before attempting this lesson. Also, plan on watching this lesson through before you begin. There is a lot of great information in the tutorial.
The "Mulberry Hill in the Autumn" is painted on an 18"x24" stretched canvas using Ginger's standard palette of colors.
See "Supplies Needed" below.
This is a "Box of Cookies" lesson. (Have some cold milk too!)
Supplies Needed:
- Titanium White
- Mixing / Zinc / Transparent White
- Ultramarine Blue (Red Shade if Liquitex)
- Phthalo Blue Turquoise
- Dioxazine Purple
- Cadmium Red Medium
- Quinacridone Magenta
- Cadmium Yellow Medium
- Yellow Oxide or Yellow Ochre
- Mars Black
- Burnt Sienna
- Raw Umber
Palette knife for mixing paint
#2 Bright Brush - Art Sherpa
1/4" Angle Brush
1/2" Angle Brush
5/8" Angle Brush
Blow Dyer
Fine Mist Bottle
Ruler
Artist Tape
18" x 24" Canvas
Chaulk
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I love, love this! I know it takes a long time to do, but for me, that is the way I learn by watching! Thanks you so much for an absolutely beautiful painting! I think it is my favorite so far, even better than the old dead guys!
I appreciate the more challenging lesson that this provides. I believe it is better for Ginger to paint on an easel for these larger pictures so this format for shooting is good. As mentionedby Jon there are some bugs to work out, such as Ginger losing her microphone for a while making it very difficult to hear what she is saying. I look forward to giving this lesson a try.
Thank you Ginger for teaching us this magnificant painting! I agree with others that watching every stroke of your genius strokes is helpful! I can’t thank you and Jon enough!
My vote would be to see them all in real time, it also gives us time to keep up, speed painting I would think would make us further behind, in my opinion , and as Jon said the ones who prefer it could speed the video. It is more knowledgeable watching every stroke.
Additional Comment…. I would like to see it all. Having no speed painting is what sets you apart from other online courses. Speed painting is the most annoying thing in my opinion. Take all the time you need… loll…. I learn from every brush stroke and every mistake you make and correct. I generally watch a lesson in it’s entirety and mark the time down on areas I feel I would like to re-watch while painting…(sock folder in me). Your format is most definitely the best thing out there and is what sets you apart as a real fine art… Read more »
Couldn’t agree more on speed painting! To a beginner like me it doesn’t serve any purpose any more than a photo of the painting